I tend to like anything by Terry Gilliam, Mike Leigh, Ron Fricke, Woody Allen, Wes Anderson, Guy Ritchie and Sean Baker. I like arthouse and independent movies that are about humanity. Here are some of my favourites. I rather detest the whole Marvel and DC cinematic universe rubbish.
I quite enjoy watching Patrick (H) Willems on YouTube.
Film festivals
Cannes film festival
Dark
- Girl, Interrupted (1999)



- Brazil (1985)



- Winter’s Bone (2010)
- Boys Don’t Cry (1999)
- One Flew Over the Cuckoo’s Nest (1975)
- A Clockwork Orange (1971)
- The Tracey Fragments (2007)
- Thoroughbreds (2017)
Animations
Human
- Toni Erdmann (2016)
- The Savages (2007)
- Life Is Sweet (1990)
- High Hopes (1988)
- All or Nothing (2002)
- Happy-Go-Lucky (2008)
- Another Year (2010)
- Nebraska (2013)
- Shiva Baby (2020)
- Lady Bird (2017)
- The Florida Project (2017)
- Polish Wedding (1998)
- Babyteeth (2019)
- Hot Milk (205)
- Women Talking (2022)
- The Fault in Our Stars (2014)
Dissociative / reality-unstable
- K-PAX (2001)
- Donnie Darko (2001)
- I’m Thinking of Ending Things (2020) - this reminds of my experiences of delirium, psychosis and desiccative episodes - this is a bit of a trigger movie for people who know
Fantasy
Time travel / tight logical construction
Comedy
Period drama
Alternative
Near future human
To be categorised / defying easy description
- Upstream Color (2013)
- Short Term 12 (2013)
- Micmacs (2009)
- Amélie (2001)
- Leave No Trace (2018)
- Disobedience (2017)
- I Don’t Feel at Home in This World Anymore (2017)
- Can You Ever Forgive Me? (2018)
- The Langoliers (1995)
Watchlist
I’ve not seen these yet, but they have been recommended to me.
Human
- Secrets & Lies (1996), Mike Leigh - rewatch as I’ve forgotten it completely
- Wendy and Lucy (2008), Kelly Reichardt - spare, quiet, devastating
- Certain Women (2016), Reichardt again - three loosely connected stories, beautifully observed
- 45 Years (2015), Andrew Haigh - a marriage quietly unravelling over one week
- You Were Never Really Here (2017), Lynne Ramsay - bleaker, but extraordinary
Dissociative/reality-unstable
- Synecdoche, New York (2008), Kaufman again - overwhelming in the best way
- The Double (2013), Richard Ayoade - Kafka via Dostoevsky, visually striking
- Enemy (2013), Denis Villeneuve - unsettling identity horror, very Donnie Darko adjacent
Fantasy/visual imagination
- Beasts of the Southern Wild (2012) - magical realist, raw, extraordinary debut
- The Lighthouse (2019), Robert Eggers - oppressive, mythic, visually extraordinary
- A Field in England (2013), Ben Wheatley - very strange, very British
Time travel / tight logical construction
- Timecrimes (2007), Nacho Vigalondo - Spanish, elegant and unsettling
To be categorised / defying easy description
- Swiss Army Man (2016) - absurd, tender, genuinely unlike anything else
- After Yang (2021) - quiet, philosophical, near-future, very Her adjacent
- The Wailing (2016) - Korean, long, genre-defying, extraordinary
- Beau Is Afraid (2023), Ari Aster - polarising but fits my tolerance for difficulty
Animation
- Wolfwalkers (2020), Cartoon Saloon - stunning Irish animation
- Persepolis (2007)
